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3.  What is the purpose of camera angles?
                   4.  Differentiate between the two types of scenes.

                   5.  Identify the following camera movement techniques:
                      (a)   Imagine you’re filming a scene where the heroine walks down a long hallway, revealing the grand interior
                         of a palace. What camera movement smoothly follows the heroine’s walk, keeping her in frame while
                         showcasing the environment?
                      (b)   You’re directing a breathtaking mountain vista scene. What camera movement would slowly sweep across
                         the landscape, allowing viewers to drink in the entire view?

                      (c)   You’re creating a suspenseful scene where a detective examines a crime scene photo. What camera movement
                         allows you to start with a wide shot of the photo, then slowly zoom in on a tiny, suspicious detail?
                      (d)   You’re filming a high-speed chase scene through city streets. What camera movement keeps pace with the
                         speeding vehicles, putting viewers right in the heart of the action?
                      (e)   Imagine  you’re  directing  a  scene  where  two  characters  are  having  a  tense  conversation.  They’re  both
                         important to the scene. How can you use a camera movement to smoothly switch your focus between them
                         without changing camera position?
                      (f)   Describe a scene where you would combine different camera movements to create a specific mood or effect.
                   6.  What activities are included in post-production process?
                   7.  Identify the following camera angles:
                      (a)   You’re directing a scene where a villain is interrogating a helpless character. What camera angle positions
                         the camera above the subject, emphasizing the villain’s power and the character’s helplessness?
                      (b)   You’re filming a conversation between two close friends sharing a heartfelt moment. What camera angle
                         positions the camera at eye level with the characters, creating a sense of intimacy and connection?
                      (c)   You’re designing a fight scene between two characters. What camera angle puts you right in the middle of
                         the action, mirroring the perspective of one of the fighters?
                      (d)   You’re directing a scene from the perspective of a tiny mouse running through a kitchen. What camera
                         angle positions the camera very low to the ground, creating a sense of being small and overwhelmed by the
                         surroundings?
                      (e)   You’re filming a scene where a secret agent is peeking through a keyhole to gather intel. What camera angle
                         replicates the limited view of the agent looking through the keyhole?
                   8.   Imagine you’re a movie detective, tasked with cracking the code of a film. What are these mini-stories within a
                     movie called, and how do they work together to create the overall plot?
                   9.  How is a wide shot different from an establishing shot?
                  10.  Answer the following questions:
                      (a)  What shot gets super close to show tiny details?
                      (b)  What shot shows a vast area, like a landscape?

                      (c)  What camera angle shows what a character sees?
                      (d)  How are related scenes grouped together in a movie?
              V.  Long answer type questions.

                   1.  What is a moving image? Give examples.
                   2.   Imagine you’re directing the opening scene of a horror movie. How could you use different camera angles to
                     establish a sense of unease and foreshadow danger?
                   3.  Explain any 3 types of lighting techniques.



                          Design Thinking and Innovation XI
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