Page 153 - Design Thinking C11
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(a)  Repetitions of towers and their elements in the shikhara; and (b) whole form of shikhara is repeated in a
                    part within another part (marked by red color).
                      Repetitions  of  tower  above  the  mandapas  (marked  by  green  color)  create  angle  for  upward  eye
                    movement to the summit of main shikhara.

                 Let us take other examples from nature:
                 •  A tree branches out again and again—each branch looks like a smaller version of the tree.
                 •  A flower like a sunflower has repeating spirals of seeds that get smaller toward the center.
                 •  A shoreline has tiny curves within big curves, showing the same pattern at every scale.
                 Designers looked at these natural fractals and used the same logic in their artwork.

                 Parametrization – Making Small Changes for New Results
                 Parametrization means making small changes to a shape or pattern to create a new and unique version.
                 Think of it like using a basic stamp or stencil and adjusting it slightly each time to make a fresh design.
                 This method allows designers to create many variations of a single pattern, making the artwork look dynamic
                 and  never  boring.  For  example,  in  Ajrak  prints  (a  traditional  block-printing  method),  artists  use  repeating
                 patterns like stars, flowers, or hexagons. However, they change the size, colours, or arrangement slightly each
                 time—this is parametrization.

                 Another  example  is  the  Jain  Kalpasutra.  In  these  manuscripts,  artists  decorated  each  page  with  borders
                 and designs. Though the layout remained similar, the colour, motifs, and ornamentation changed with each
                 page, making every page unique but still part of a whole.


























                 Even in the Taj Mahal, fractal patterns are used in ceilings and walls. These patterns repeat and grow more
                 detailed as they move outwards, combining geometry and beauty.
                 When a designer starts with a simple shape, they use recursive steps (repeating the same process) to build
                 more detailed patterns. This can happen:

                 •  On the edges of the shape (like borders or corners),
                 •  Inside the shape (like fillings),
                 •  Or even in three dimensions (like temple rooftops that grow upward).

                 Even the transition from a square to a circle—a common theme in Indian temple plans—is a result of careful
                 detailing. Designers used step-by-step methods like rotating, bending, or adding extra lines to make these
                 shapes evolve.




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